Any album that starts with a phased hi-hat & a hyper-speed intro solo’s gotta be good. Mixing fuzzy prog moves with bar band boogie and a solidly proselytizing lyrical message, Ron Salisbury & the aptly-named J.C. Power Outlet channel 110 watts of pure Jesus power. Forgiven [Myrrh MSA-6525, 1974] was actually the Outlet’s second record, but the one that gained them the largest following; it’s also arguably the Contemporary Christian Music movement’s first true hard rock set and has scraped its way onto the Top 50 Jesus Albums of All Time
There‘s not much to learn about the group (though Salisbury has been a lasting force in the CCM), but there is some truly great production & killin’ guitar solos. Also, while I would’ve preferred some of the rockier tunes without the horn section, there are a couple’a hot breaks to grab for the sample-heads (as is often the case with a lot of Myrrh LPs; see "My Sign", eg). More to my liking, there’s a strong West Coast vibe on a couple of tunes, in some places reminiscent of the quasi-religious melodies of SF psychsters Tripsichord Music Box (like “Give Him Your Love,” also my favorite track).
Not nearly as underground as other, more out-there CCM platters, Salisbury lays it on heavy with the preachy lyrics – he’s neither subtle nor poetic. But given that the cover basically implies that he’s out to patch up all the damage Adam & Eve did with that whole Original Sin thing, there may not be time to mix words. That being the case, I could also do without most of the ballads, which step firmly over the line from soft-rock to adult contemporary. It’s the burning, uptempo tunes that keep the interest up, and are definitely worth the listen.
With Salisbury’s prominence in CCM, and the consistent quality of the playing & tunes, what's most unforgivable is that Forgiven’s message hasn’t been updated to the digital era.
There‘s not much to learn about the group (though Salisbury has been a lasting force in the CCM), but there is some truly great production & killin’ guitar solos. Also, while I would’ve preferred some of the rockier tunes without the horn section, there are a couple’a hot breaks to grab for the sample-heads (as is often the case with a lot of Myrrh LPs; see "My Sign", eg). More to my liking, there’s a strong West Coast vibe on a couple of tunes, in some places reminiscent of the quasi-religious melodies of SF psychsters Tripsichord Music Box (like “Give Him Your Love,” also my favorite track).
Not nearly as underground as other, more out-there CCM platters, Salisbury lays it on heavy with the preachy lyrics – he’s neither subtle nor poetic. But given that the cover basically implies that he’s out to patch up all the damage Adam & Eve did with that whole Original Sin thing, there may not be time to mix words. That being the case, I could also do without most of the ballads, which step firmly over the line from soft-rock to adult contemporary. It’s the burning, uptempo tunes that keep the interest up, and are definitely worth the listen.
With Salisbury’s prominence in CCM, and the consistent quality of the playing & tunes, what's most unforgivable is that Forgiven’s message hasn’t been updated to the digital era.
2 comments:
Hi, this is great...been looking for this! What is the password to unzip? Thank you!
hey there! no password, just d/l & enjoy. . . . -a.m.s.
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